Biofilmograpy
Freddy Matos is a cinematographer based in Mexico City. With more than ten years of experience, he has explored the intersection between fiction and documentary, capturing stories where emotion and light converge.
His work includes The Guilt, Probably (2016), winner of the Third Prize at the Cinéfondation Selection of the Cannes Film Festival, and The Cardboard Man (2017), a Venezuela–France co-production screened at major international festivals such as the Montreal World Film Festival and Festival Biarritz Amérique Latine.
He also photographed Coco (2017), awarded at Rencontres Cinémas d’Amérique Latine de Toulouse (2018).
His most recent documentary was shot on 16mm in the Basque Country, a Spain–France co-production that reflects his ongoing search for texture, memory, and light within the landscape of real stories.
In addition to his work in fiction and documentary, Freddy has collaborated on commercial and branded projects, including the advertising campaign Family Reserve – José Cuervo. Across all his work, he continues to pursue images that reveal the poetry of reality and the depth of human experience.